I just got back from nine days in Colorado where I got to test my new 5D Mark IV camera. Having a new camera and getting away from everyday life was so inspiring, and I’m really excited about some of the images I took on my trip AND all of the awesome potential of this new camera. Up until a few weeks ago, I was shooting with a 5D Mark II (released September 2008) and a 1D Mark IV (released October 2009), so having a body that isn’t 10+ years old is awesome. The dynamic range, high ISO capabilities, autofocus, and other features (such as WiFi and in-camera HDR) blow away my older bodies, and I can see myself getting out and doing even more shooting once I get better used to how the new camera handles and functions.
I took more than 1000 photos on my trip so it will probably take me a few weeks to get through all of them. Keep an eye on my Instagram for new images from the trip and check back on the blog and photo journal on my website for more about my experience with this new camera and a full trip report in the future.
Kari Post Photography has existed on Facebook for nearly a decade. While I’ve increasingly become less pleased with social media in general, Facebook in particular is a bit of a sore spot for me. From a business page perspective, using Facebook to reach out to followers, clients, potential clients, and the general public isn’t that productive; algorithms tend to block posts from users that don’t have high interaction with your page to begin with, and without sponsoring (aka paying money to boost) posts, few of my 1.5k followers ever see my posts cross their news feed. This combined with my general distaste for what Facebook has become – a pool of ignorance and negativity, punctuated by frequent advertisements for companies, products, and services that I have zero interest in – has often led me to want to deactivate my account and stop my use of the platform entirely.
As a step in that direction, I have decided to deactivate my personal account starting in December, and along with that Kari Post Photograph on Facebook will go dark. I anticipate that if and when I reactivate my personal use of Facebook, I will delete the photography page and cease to use that platform as a way of engaging fans and followers. I have started a new public Instagram handle @karipostphotography where I plan to post content on a more regular basis; since Instagram is image based I hope it will prove to be a better platform for sharing my work with a broad section of the public without the frustration I associate with Facebook. Alternatively, you can now receive updates direct from my blog itself using the subscribe widget to the right side of this blog post, perfect if you are not an Instagram user or find Facebook and social media as soul crushing as I do.
Update 3/1/19: I have deleted my Facebook page and personal account entirely! My Instagram account is thriving for the time being, so if you enjoy using social media, consider following me there.
I have been using the Nik Collection, a series of plug-ins for Lightroom and Photoshop, for nearly the past decade. Over that span of time, the software transitioned owners three times, from Nik, where each module would set you back $149, to Google, where the entire set of plug-ins became free, to it’s new home at DXO, where you can buy the collection for the introductory price of $49 until July 1st, after which the price will jump to $69.
If you haven’t been using the Nik Collection, I urge you to try. The product now consists of seven modules that make it easy to do many things from applying antique filters to reducing noise to applying spot adjustments and vignettes and even combining multiple exposures into an HDR image. I use two of the modules, Viveza and Color Efex Pro, on probably 90% or more of my final edits. DXO is offering a 30-day free trial of their improved product, so you can give it a go before making a commitment to purchase the collection.
While those with a free version of Nik might be hesitant to pay for a product they already have, one of the issues with Google giving away the product for free is that they stopped providing upgrades and support for the product, which has become an issue with the cloud based subscriptions for Adobe products. With every Lightroom or Photoshop upgrade, new compatibility issues were introduced, a problem that I think has been more pronounced with Apple and Mac based systems. My current version of Nik Color Efex Pro causes Photoshop to crash completely. Even if you aren’t already having issues with your free Google version of the Nik Collection, chances are you will in the future as Adobe continues to improve and modify its products, which it has to do constantly in order to provide support for new cameras.
The plug-ins are super easy to download and install. If spending $50 on computer software isn’t your cup of tea, download a trial version first and see if you can actually apply it to your work. Once you try Nik’s products, I bet you’ll find it hard not to justify buying the package outright. Just be sure to buy before the July 1st deadline if you want to save $20.
To download or learn more about the Nik Collection, visit DXO’s website.
Within the past three days, I’ve deleted roughly a quarter of my “friends” from Facebook. Over the years I’ve accumulated a number of them – people I went to high school, college, and grad school with, people I worked with or collaborated with on projects, people I met briefly on my various travels, and people I honestly didn’t know at all.
Facebook has evolved a lot since its first incarnation. I know, because I’ve grown up with it. Facebook was released the year I became a freshman in college, and at the time, it connected you to a small network of your classmates. Now, thirteen years later, it can connect you with the world, providing followers with an intimate glimpse into your thoughts and private life.
Despite accumulating more than 1500 “friends” on Facebook, the actual list of people who are fundamentally important to me is pretty small. In my real life, I don’t talk to a single person I went to high school or college with. When I go visit my hometown, I usually tell only my mom and two of my childhood friends. Aside from them, the people I keep in touch with by phone are almost exclusively people I worked with or went to grad school with, and I can count them on my fingers. Many of my closest friends aren’t even on Facebook anymore, and those that are tend to share very little.
I ended up with 1500 “friends” the way anyone who is social and nomadic can. I grew up in a decent sized town and went to a decent sized college, and have worked a lot of different jobs in different places. I traveled a lot, moved a few times, and went to many different conferences and workshops where I met a lot of people. When I worked for NatureScapes and was heavily involved with NANPA, photographers would connect with me that I did not know and had never met before, but as a brand ambassador, I accepted their friend requests, compromising my personal privacy to help build the brand and connect with potential clients and collaborators.
I’ve wanted to cull my friend list for a while. Facebook doesn’t make it easy – there is no easy way to go through your list of friends in a stagnant order (such as alphabetically) – but devising some trickery I was eventually able to search my whole list and begin the process. I unfriended the people who used fake profile names when I could no longer remember what their real one was. I unfriended people I plainly didn’t recognize and had no idea who they were or why I had connected with them in the first place. If I couldn’t recall how I met someone, or if I met a person only once years ago at a conference or workshop and never communicated with them since, I unfriended them. If they were someone who I knew but never really talked to – people who lived on my floor in college freshman year, friends of friends who I only saw with those other friends – they got axed. The same with significant others of friends and friend’s exes who weren’t really friends of mine. I unfriended people who had died, the parents and siblings of friends whom I knew but didn’t have any relationship with, and most accounts that had been deactivated. I unfriended just about anyone I had never met face to face in real life – the few who I kept were those I would recognize in person and want to grab dinner with based on mutual respect and common interests. A few of those I unfriended were talented photographers, so if possible, after unfriending them I followed them or their photography pages instead. I deleted high school and college classmates whom I had little interaction and no shared memories with. When people had duplicate profiles, I figured out which one had the most recent activity and deleted the other.
I unfriended anyone who had ever made me feel threatened, like the older male photographers who offered to take me on photo trips with them and the people I hardly knew who used Facebook as a platform to stalk, offend, attack, and demoralize others or whose actions repeatedly made me feel uncomfortable, upset, or angry. I unfriended annoying people when social niceties didn’t prevent me from doing so – the people who only interacted with me when trying to sell me a product from their multi-level marketing scheme or encourage me to vote for them in some stupid contest. If I felt unfriending them would result in unnecessary drama because we lived in the same town, worked in the same place, or had mutual friends, I just unfollowed them instead.
After all of this, I still have 1130 of the 1500+ friends I accumulated in the past dozen years but I suspect many more will go in the days, weeks, and months to come. Facebook has become an easy outlet for sharing photos and life’s moments, but I really don’t care if someone I met at a conference knows what color I painted my living room. More important things like relationship updates or additions to the family are things I’d prefer to keep more private, and Facebook’s ever changing features and privacy policies make it difficult to continually regulate who can and can’t see specific things you post.
I no longer accept friend requests from people whose names I don’t recognize and have never met face to face. I operate a Kari Post Photography Facebook page and post my work there instead of on my personal private page, yet I still regularly get friend requests from photographers. I deny every single one. This has been my routine for several years now, and it’s clear to me that posts on my personal profile get more views and likes thanks to Facebook’s algorithms that hide posts from pages to discourage engagement. I don’t care. If the cost of getting my work seen by more people is sharing personal moments of my private home life with strangers, I’m not interested.
To see my photography on Facebook, feel free to check out and like the Kari Post Photography page. When you “like” and “follow” the page, you can opt to see posts in your news feed first (you can adjust your notifications by hovering over the “Follow/Following” button) which will ensure you don’t miss anything, as the default setting allows posts to fall off your news feed quickly. The more you visit and engage with my page, the more relevant posts from it will show up on your newsfeed. If you actually want to connect with me for professional reasons – to collaborate on a project, get together and shoot, etc – you can send me a message through my Facebook page or if you prefer, find me on LinkedIn. LinkedIn is the platform I prefer to use for networking and professional connections, and if you send me a message, I’m happy to connect with non-friend photographers there.
Update 11/7/18: Kari Post Photography is no longer on Facebook as of December 2018. I have moved my photography feed over to Instagram. If you are an Instagram user, please follow my public photography handle @karipostphotography. I’m also down to less than 500 Facebook friends and have made my personal Instagram feed private as well (and knocked that followers list down to under 625 people)!
I’m so super excited to unveil my new website just in time for the holidays! Most of the tweaks are actually pretty small, but overall I love the new design and hope you will too!
Here’s what’s new:
The Homepage – A slideshow of big, screen filling images and minimal text now greet you when you first stop by the website. This clean, modern approach is far less cluttered than the old site and easily the most noticeable and dramatic change.
Responsive Design – The entire website is designed to shrink and stretch to accommodate different sized screens and viewing platforms, making the site easier to view on multiple devices including phones, tablets, and computers.
Responsive Images – Images resize to fit your screen. Smaller versions of images automatically on smaller screens for faster performance on mobile devices and larger images have even more clarity on high resolution retina displays. The images do resize according to horizontal resolution, so if you find yourself still having to scroll up and down to see the entire image create a narrower browsing window and the problem will resolve itself.
Larger Images – Images on the new website are at least 50% larger than the old site, so viewers with larger monitors and retina displays will be able to appreciate much more.
New Font – The entire website now uses a clean sans serif font for easier viewing and a contemporary look. This font is also more reader friendly for those with failing vision or reading difficulties.
New Logo – I’ve redesigned my logo to better reflect my evolving style and match the clean font of the new site. Plus its got color!
New Galleries and Images – I reorganized some existing galleries and have added some new photos to the website to showcase the diversity of subject matter I shoot. Expect to see more new images added in the coming months.
Updated Search Feature – The search page on the new website also has a search map that suggests keywords for searching and organizes images – eventually it will also enable you to find images not found in the regular galleries.
Special thanks to my web designer, Jack Brauer of Wide Range Galleries, and my friends Todd Miller, Andrew Bagley, Rebecca Inver, and Sean Wiley for beta testing the new design for me and giving me some great feedback. I hope you like the new site!
Those of you who have been following along know I’m a pretty erratic blogger. I go through spurts where I shoot and write somewhat consistently, but the long gaps in between these moments are far more common. Case in point – my last blog post was at the end of 2015, and it’s already August.
Over the years, I’ve let photography’s role in my life change pretty dramatically. At one point it was a constant presence. I shot regularly, spent time marketing my work, traveled, entered contests, taught workshops, and developed a somewhat recognizable brand for a few years. Now, I probably take a thousand snaps on my iPhone between breaking out my DSLRs for a spin. My name is no longer relevant in photography circles, my gear is several generations of equipment old, and my laptop hit the four year mark sometime early last year (I’ve found that four years is about how long I’ve typically been able to manage between computer upgrades) and struggles to keep up with RAW files and the most recent software.
Ten years ago, my first photography website under the domain karipost.com came to life. That’s a whole decade! In those ten years, I’ve revamped my website several times and tried various ways of marketing my brand and connecting with potential buyers, clients, and students. Clearly none of those stuck, otherwise I’d still most likely be doing them. Still, the nostalgia of being in this business for so long makes me want to resurrect my stagnant website and start shooting, writing, and sharing my work again.
After nearly two years of filming and post production, I’m excited to reveal that The Power of Place, the documentary about the Northern Pass that I had been helping Jerry Monkman create, is nearing completion and will be released to the public within the next couple of months. Jerry and I spent countless hours in the field gathering material for this film during the summer of 2013 and had hoped to release it much sooner, but Jerry was unfortunately diagnosed with cancer right around the time we wrapped up shooting so post production has taken much longer than we initially anticipated. Added to that Jerry and I live about two hours apart and once I started working full time last spring I wasn’t much help to him during the process, as it was challenging for me to find time to drive to the seacoast to work on the film. Jerry is now cancer free and the film is just about finished, and he is working on wrapping up the details of a contract for the film’s premiere sometime in the very near future.
So stay tuned, especially if you happen to be one of the fortunate folks who live in the great state of New Hampshire. We will be announcing details of the film’s release and premiere very soon, and hope you will be able to join us for the big day if you can. Until then, expect to see a ton of TPOP related posts and pictures from me.
Wow have things been busy. I know I know, my life is ALWAYS busy, but it’s true and I like it that way!
Earlier this month, I led a photo workshop for my alma mater, Antioch University New England, where I completed my Master’s of Science in Environmental Studies back in 2012. The workshop was a great success, and I had a group of eager and enthusiastic students from Antioch and the local community. Feedback from the workshop has been very positive and I had a great time, so hopefully I’ll be offering some more local workshops in the future. Here is what a couple of the participants had to say:
“Workshop was great! Very informative. I liked the variety of exercises in class as well as the presentation style of the teacher.”
“[It] as great to spend time with such an accomplished photographer and nature lover. [Kari] was very engaging, friendly and helpful, and knew her subject thoroughly.”
This October, I plan to offer a fall foliage workshop in the White Mountains through the Appalachian Mountain Club. If you have any interest in attending and would like more information, feel free to send me an email so I can keep you in the loop and you can be one of the first to sign up.
Teaching photography is not the only thing that has kept me busy this month – there have also been some BIG personal changes taking shape as well. As you may know, I have plans to move from my lovely shared apartment to a new home and some new developments on that front that have kept me very busy. I’m not ready to divulge what they are yet, but I am very excited about them and will reveal what they are when the time is appropriate.
In the meantime, I’m still trying to declutter and clean house before my move. My goal is to “Simplify! Simplify!” as Thoreau put it, and get rid of all of my access things and belongings that I have no need or desire to take with me. While I LOVE my photographs, I’d much prefer to sell off my remaining stock, move only things I absolutely want and need to my new home, and then restock prints once I’ve settled in.
Also available is an “Artist Sample” 11×18 stretched canvas of Slow Motion Daydream, sale price $100. Normal price for a non-sample is $250! The Artist Sample means that the image has a copyright on the outside border (along the wrapped part of the canvas, not the front, and would not be at all visible if framed), and has been used for displays so it may be a little less “mint” than a brand new piece. Save 60% by taking advantage of this discount!!!
Please send me an email if you are interested in any of these prints or display pieces. Shipping within the continental USA on all prints and matted prints is included in the cost, but shipping costs extra for mounted pieces. Keep in mind that this sale won’t go on forever and once a print has sold, it is gone and any purchases made after will be at the full retail cost. Also, your purchases help me with my moving cost, so buying prints gets you great art at a great price and me a little less stress about my move. It’s a win win for everyone!
I’m leading a photo workshop this weekend for my grad school alma mater, Antioch University New England. It will be my first in nearly a year, since I took a break from workshops and photography after leaving NatureScapes.Net to pursue other passions. This will be my first spring spent in New Hampshire; for the past five years I have traveled to Florida every April to attend the Florida’s Birding & Photo Fest. While I will miss seeing all of my friends in St. Augustine, I really am enjoying feeling settled here in New England and looking forward to spending spring in the northeast at home with my friends and family.
This photograph was taken on April 13th of last year, on the last day of an osprey workshop on Lake Blue Cypress near Vero, Florida. April 13th of this year I’ll be wrapping up my workshop with Antioch students in humble little Keene, New Hampshire. What a difference a year makes.
Unfortunately, we have had to cancel my Appalachian Mountain Club Winter Photography Workshop due to low enrollment. This winter has been a tough one for the outdoor industry in New England because it has been so bitter cold. Apparently, people would rather stay indoors when the mercury falls well below zero. However, I am happy to announce that this autumn I will be offering another workshop through the AMC in the White Mountains. Join me for a fall foliage in the Whites October 3-5th. There are a ton of photo opportunities in the area that are just bursting with color during peak foliage season – the photo below was taken just down the road from the Highland Center, where the workshop will be based. I’m already excited!